SOUTH WEST THEATRE SYMPOSIUM at SALISBURY PLAYHOUSE 10th February 2017
On 10th February over 100 artists and industry professionals gathered from across the South West for practical action and meaningful conversations about what we are doing in our region to ensure there is diversity and equality (of all forms) in the arts. If you were unable to make it along or would like to catch up on the conversations, you can listen to the opening provocations here and images of notes from discussions here.
“Fear of doing something ‘wrong’ must be replaced by fear of ‘doing nothing’ ” Jamie Beddard (Co-Director, Diverse City)
Jamie Beddard’s rousing provocation opened the South West Theatre Symposium at Salisbury Playhouse on 10th February 2017, alongside Paula B Stanic (writer), Cassandra Wye (storyteller) and Hannah Petley (director) who each shared inspirational and insightful words about their experience making work. Jamie’s was a powerful reminder that in these times of political uncertainty “we must paint the world differently, shine lights in the shadows, understand and empower those on the peripheries, include and highlight the untold stories and ensure we are not playthings for the rich and powerful. Our responsibility has never been greater if we are to ensure diversity, equality and fairness underpins the world we want to be part of” (Jamie Beddard).
We celebrated the brilliant things people are already doing to drive change – Heather Williams and Nathan Bessel from Myrtle Theatre gave a presentation on their journey making Up Down Boy and Up Down Man, and Nathan reminded us that these explorations and conversations need not be limited to language, performing a beautiful movement piece and at another point in the day standing and raising his fist in the air, promptly joined by everyone else in the room – united, joyful and empowered.
Anna Coombs spoke about her journey setting up Tangle, South West England’s African Caribbean Theatre Company as a response to the community in which she grew up, bringing the work of African and Caribbean artists to areas where there is little inter-cultural interface, about how collaboration is key to achieving artistic excellence.
Sarah Blowers from Strike a Light spoke with Sarah O-Donnell and Naomi Draper, who shared their stories about creating GL4 Festival on the Matson Estate, Gloucester. How, after Sarah B impulsively drove to the estate and gate crashed a Residents Meeting at the community centre, Naomi and Sarah O became festival producers, brought theatre to their estate for the first time and championed it for their local community.
Jamie Beddard and Becky Chapman ran a session on Losing the Fear and Shame, exploring ways to overcome barriers to change, ran a What If session where we could break out and think big, and guided people to write pledges on postcards which were posted back to them a couple of weeks after the event. We had break-out sessions run by Mark Helyar from Take Art and Dave Orme from Salisbury Playhouse, Wendy Petitdemange from Activate, Richard Conlon from Blue Apple, Phoebe Kemp (Equity Deaf and Disabled Members’ Committee), Ruth Kapadia from ACE (who also ran surgery sessions throughout the day) as well as spontaneous sessions which came about as a result of the day’s conversations.
At the end of the day we gathered together to write a new manifesto for making work in the region. Here it is:
Diversity is integral to excellence
Leave the building/ silo
Have honest conversations
Don’t be scared of failure
Hold each other
Communicate without fear or judgement
Trust ourselves that it will happen
Offer and ask for help
Create a space for us all
Create with integrity
Collaboration and co-operation over competition
Bring whole self to each process
The overwhelming message from the day was just to start doing something, no matter how small, that it’s OK TO FAIL – we can learn something from our failures, that collaboration is key to artistic excellence, and that some things take time, so start small and keep going.
For Jo Newman’s full blog on the event click here
Photos by Simon Ward